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Newsletter 5.24.2006
Irvine
Contemporary and Warehouse Gallery Present:
Charbel
Ackermann: "The New Geometry" and "Monument2"
Friday
June 2 – Tues. July 4
Special
Installation at The Warehouse Gallery
1017-21 7th Street NW, Washington, DC
Hours:
Thurs-Sat. 1:00-6:00 PM
Opening
Reception for the artist:
Friday June 2, 6:00-8:00 at The Gallery at The Warehouse
Artist's
talk and afternoon reception:
Saturday, June 3rd, 2:00-4:00 pm also at The Gallery at the Warehouse
In
this off-site exhibition, Irvine Contemporary presents the installation
work of internationally acclaimed, London-based artist Charbel Ackermann:
"The New Geometry" and "Monument2". This exhibition is presented
in collaboration with The Gallery at the Warehouse, Washington, DC.
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Charbel Ackermann,
"The Axis of Evil Mostly in the Dark," from the series,
"The New Geometry," 2005.
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In
“The New Geometry”, Ackermann literalizes the "The Axis of Evil" metaphor
from the 2002 State of the Union Address, and maps it onto multiple visual
representations of the world. Using unaltered maps and satellite photographs,
Ackermann re-presents the earth as if configured on this axis through
a series of drawings, lithographs, mathematical calculations, and blackboard
deductions, all reassembled for a culminating computer-projected presentation.
One stunning image presents a straight line as from a 22,344km flight
from Havana to Pyongyang, intersecting with Baghdad and Tehran, using
satellite images obtained online through Google Earth. A realization of
this project was also presented at The Drawing Center in New York (June-July,
2005).
“Monument2”
("Monument to Monuments," or "Monument Squared"),
created specially for our Washington exhibition, is a stunning mural drawing
based on an ancient Roman triumphal arch. Ackermann’s Monument is a unique,
interactive drawing: the monument is redrawn from thousands of original
barcodes, each encoded with text fragments and Ackermann's own writing.
Each barcode is programmed for a text message and is readable with handheld
scanners which viewers can use to project texts in the inscription space
of the arch. Constructed as a reflection on monuments and the cultural
messages they encode for history, Ackermann creates a symbolic trajectory
from the SPQR (The Senate and the People of Rome) inscribed on the Arch
of Titus to Washington, D.C., the prime location of monuments in the U.S.
and a city defined by architectural references to classical Rome.
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Charbel Ackermann, Monument2 (full image, left,
and detail, right):
paper panels and individually applied and programmed bar codes
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Ackermann
loads his barcodes with the philosophical, the impossible, the poignant,
and the preposterous, leaving us delightfully reeling in the overlays
of history and the meanings of monuments, and questioning if what we are
reading is historical 'truth' or cultural 'fiction'-- or both.
For
the Washington, DC exhibition of Ackermann’s “New Geometry”, Irvine Contemporary
announces our first published print edition, consisting of Charbel Ackermann’s
extraordinary hand-finished, limited edition lithographs. Ackermann has
selected four of the “New Geometry” drawings to be recreated as four-color
lithographs, each with hand-finished details, in editions of 10. The original
prints will be on view at the Warehouse Gallery on 7th Street and at Irvine
Contemporary on 14th Street during the exhibition.
Reception
for the artist, Friday June 2, 6:00-8:00 at The Gallery at The Warehouse,
1017-21 7th Street NW, Washington DC. Artist's talk and afternoon reception,
Saturday, June 3rd, 2:00-4:00 pm also at The Gallery at the Warehouse.
Special
thanks to Molly and Paul Ruppert of the Warehouse for their collaboration
on this project.
Continuing
at Irvine Contemporary through Saturday June 10:
Ju-Yeon
Kim: Summertime
Solo Exhibition
&
Selections
and Celebrations
Selected works from the Irvine Gallery Program
Forthcoming
Exhibitions:
ANIMALIA
June
16 - July 29
Group
exhibition of artists who consistently employ animals as visual metaphors
to explore contemporary issues of self-identity, sexuality, religion,
hybridity & culture.
Opening
Reception with the artists, Friday, June 16th 6-8pm
Featuring
work by Sandra Bermudez, Tricia Cline, Orly Cogan, Dalek (James Marshall),
Edward del Rosario, FAILE, Carlee Fernandez, Kent Henricksen, Susan
Jamison, Josh Levine, Akemi Maegewa, Jiha Moon, Beverly Ress, Lisa
Stefanelli, Adam Stennett, Andy Warhol and Dirk Westphal, and others.
INTRODUCTIONS
2
August
4 to September 2
Work
by recent BFA and MFA graduates, including painting, works on paper, photography,
mixed media installations, and sculpture.
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